Tag Archives: White Supremacy

The Revolution Will Go Viral: Kwame Rose, Freddie Gray and the Baltimore Uprising

Hey people, so I injured my knee either swimming, hiking or running alongside vehicles hoping to jump on them in Ecuador last month – on acid – and now I’m watching Fall go by from my bed in Queens, New York, unable to walk. Getting better is the most important thing for me right now, which means working less and earning less when I need it the most. If you wanna support me in any way (besides donating, obvs, which you can do by clicking on the Donate button on the left column or sending cash money to heyitsbani@gmail.com via Paypal) you can share my work with folks you know, collaborate with me, come over with bottles of liquor (a popular option with my friends), lend me books, or send gushing statements of solidarity.

Click on image for full article
Click on image for full article

Anyway, before the fit really hit the shan I was able to profile Black Lives Matter activist Kwame Rose whose confrontation with Geraldo Rivera on Fox News went viral during the Baltimore Uprising earlier this year. If you like it, share it (and credit me!) and follow up with the organizing going on in Baltimore right now, where just last week 16 activists were arrested for demanding a meeting with police commissioner Kevin Davis.

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Next week, my #Dispatch interview with writer Pooja Makhijani on what words like expat, migrant, refugee, exile and immigrant really mean will be up. In the meantimes, you can follow me on the facebook, the twitter, the instagram.

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“Don’t Step Foot There” #Dispatch: AfroLatino Travel

I’VE BEEN CHATTING with travel writers, activists and personalities of color about their experiences navigating the media industry and the globe with an intersectional lens, while exploring themes like power, privilege, place, and identity, themes that are rarely touched on in the mainstream travel space. Read previous #Dispatches here.

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Dash Harris grew up in Panama, Brooklyn and the Poconos. She attended Temple University for broadcast journalism, business and French, and is the owner of In.A.Dash.Media, a multi-media and video production studio. She is a co-founder of AfroLatino Travel and Negro, a docu-series about Latino identity and the African Diaspora.

Bani Amor: Alright so let’s get into it! Please introduce yourself, what you do, what AfroLatino Travel is and your place in it.

Dash Harris:  I’m Dash, co-founder and team member of AfroLatino Travel, the travel and culture resource of the African Diaspora in the Americas.

Bani: Can you give us some background on AfroLatino Travel? How it started and why.

Dash:  I’ve traveled extensively throughout Latin America over the past six years for my documentary series [Negro: A docu-series about Latino identity]. I’m personally and professionally drawn to predominant Afro-descended communities and regions and I noticed when I would inquire about how to get there, most people would immediately question why did I want to go *there* or remark that it was “very dangerous.” Basically code for too Black.

It was especially jarring when I inquired about how to get to Palenque de San Basilio. I was told it was “dangerous,” so I asked if they knew the reputation that Colombia has on a global scale and if they were perturbed by it, why impose that thinking on a particular town that actually does not even have a police presence as it is tiny and everyone knows everyone. Crime is almost non-existent in Palenque de San Basilio.

To find out how to get to most Afro-descended regions, it was a feat of information-gathering from many many sources, mostly personal blogs, and I thought that there has to be another way for folks to access information, especially other Afro-descendants interested in connecting with the wider Diaspora. Being from one of those “too black and dangerous” regions in Panama, I thought it was time for a way to do tourism that was not exploitative and actually is led by locals who are consistently blocked from access in the industry.

Gabino, my tour guide in Palenque said the only tourists that visit are white, and he would love to have more Afrodescendant tourists visit.

Besides, these regions are always the most beautiful – beautiful weather, great food, great people and with profound and powerful history not only to the greater country they are in but also the Afro root that has sustained its very existence. And it’s more of an “adventure” because these places are hard to get to, which is a blatant exhibition of the marginalization and neglect of the state toward the population that resides there.

Bani: Reaching Black(er) regions in Latin America can be such a relajo. I remember my first time traveling in Ecuador I Screen Shot 2015-09-29 at 12.45.32 AMopened up a Lonely Planet guidebook and was reading the Esmeraldas section. It came with a warning not to visit there and to watch your shit if you go cause you’ll get robbed and in the same sentence mentioned that it was a majority Black area. If we think about the extent to which anti-Black racism affects travel and access, it’s pretty extreme.

Dash: I’ve been trying to get to Esmeraldas for theee longest. Oh yea the anti-Blackness in travel guides. Fun! One time I picked up a few travel guidebooks on Panama and sat down with Lamar to read the section on Colón together to see how obscene they could get. One woman had never heard of the Black christ of Portobelo (Panama) and I was like WHO THE HELL DOESN’T KNOW ABOUT THE BLACK CHRIST? The same with El Chota (Ecuador), a soccer player-making region that the state doesn’t invest in. It makes no sense. Fútbol being a religion – invest in that!

Bani: Nope, those are always the most underdeveloped areas, especially touristically. Ecuador’s current #AllYouNeedIsEcuador tourist campaign leaves places like Esmeraldas and El Chota in the dust, for instance.

Dash: Per usual, and it isn’t until our regions are recognized nationally or somewhere else that the state then says “yea that’s us.”

Bani: The fact that folks don’t usually correlate Blackness with Latin America has something to do with how the tourist industry still markets these places.

Dash: Absolutely – BUT wanna partake in Black cultural manifestations – the music, the food, the party. We are allowed to do that, fine, just don’t go beyond that – the sports, the sex tourism. When I was in Managua I was a SPECTACLE which was so mind-boggling to me as there are Afro-Nicaraguans. The mestizos pointed and stared like I had five heads. That never happened to me in my entire life and I’ve traveled to many places with under 10% afro-descendants. In even the whitest places, it didn’t compare to the othering in Managua.

Bani: What did you make of that experience?

Screen Shot 2015-09-29 at 12.45.12 AMDash: That Nicaragua has a lot of work to do. When I mentioned I was going to the coast, a hostel owner said, “Oh yes, that culture is really about partying and they do the maypole and eat fish but here in the capital it’s more calm, more laid back,” and I’m like, “So they do the maypole everyday or just on May 1st for the annual maypole celebration?” It is severe othering, which is interesting because I saw a lot of afro-descendants among those mestizos.

Bani: Leading into my next question, which I hope is not redundant, what would you say is the significance of what you’re doing with AfroLatino travel?

Dash: Helping to connect the African Diaspora (in the Americas) in ways that benefit all involved. Now of course we’re mindful that not all can travel so we are speaking from a privileged perspective. Afro-descendants don’t own their labor when it comes to their access in the tourism industry and limited access is getting even more limited because of multinationals encroaching on and even running them off their very land. So AfroLatino travel connects travelers to locals because locals can explain and show their own culture better than anyone else can.

Bani: Of course. What do you see as a result of bridging diasporic folks and locals? What change, if any, do you think it brings about?

Dash: That’s the best part!! OK so I have a short anecdote. I was in Orinoco chatting with a Garifuna drummer; my partner is a drummer and I was talking about the Batá drums. I came back with videos I shot in Cuba and it turned into this really dope dialogue about Afro-Cubans, Garifunas and Afro-Panamanians. They were loving it and so was I. All of that is to say: magic happens, man. When you get long lost cousins together, magic happens. I don’t know what else to say really.

When you get long lost cousins together, magic happens.

On a cultural level, socially, psychologically, mentally, and yes, economically, the goods and services paid would be going to the afro-descendant community and not the establishment. That’s the malembo element of AfroLatino travel. (Malembo were the friendships Africans made whether in the crossing of the Atlantic or in the Americas; they were bonds that made them feel a deep obligation to help one another, and that’s just how I feel, serving and building with my community continent-wise, because America is a continent *ahem* as we all know lol.)

Bani: Jaja. I think it’s that affirming of each other’s experiences that’s so powerful, in the face of violent rampant erasure.

Dash: Yes! You’re more eloquent with it lol. I remember one time in Utila, Honduras, I’m sitting on the corner chilling with Screen Shot 2015-09-29 at 12.41.00 AMsome elder men and a young girl selling mangos and one of the guys was shocked that I was hanging out with them because tourists never talk to us. They were English-speaking afro-descendants in a Hispanophone-dominant country; my family shares that history in Panama, so it was like, ok, I’m among family. I don’t really feel like a tourist.

Bani: Like I started out saying at the beginning of this talk, white tourism is (generally) mad different from what POC experience when the travel. In your story, you were a part of the community in a way. And from that comes a dedication to tell stories about those places and their people with some justice.

Dash: Absolutely! Yes! Exactly! I said this with the travel guides saying “don’t step foot there” it’s like, um, there are actual human beings that live in these places. It is disgusting. Whites always gotta insert themselves in every corner or crook ever. Just leave us alone!

Bani: And centralize themselves in every single thing. The majority of travel writing books should just be called The White Experience in X Country. Alright, let’s wrap up. Do you have any final thoughts? Plans for the future of AfroLatino Travel?

Dash: Just that aside from our trips, tours and informational content, expect more accessible afro-diasporic travel, cultural exchange and sustainable community building coming to an app near you.

Bani: Can’t wait!

I do this for free but my tip jar is open – send $ cash money $ to heyitsbani@gmail.com via paypal

Dreaming, Planning, Mobilizing

hey people, thanks for being patient during this lapse in posts. I left nueva york and am back in ecuador but instead of living in Quito like before I’m just traveling around for the next two months. I spent a week at Alas de Luna – encuentro de arte femenino in Cuenca which was organized by one of my best ecua feminist panas. The city has been freezing and gorgeous and I’ve gotten to chill with mad ecua women artists doing rad things in dance, theater, music, film, writing and activism. A highlight was splitting a tab of acid with one of my favs – rapper Black Mama – after her set that closed the encuentro. Then I took a bus back to the selva amazónica with a friend and spent the week chillin’, writing, taking little trips, being queer in nature, dreaming up big plans for the revolución with my friends, and swimming in the river.

So I’ve been planning and mobilizing over the last few months and I’m excited to announce some cool projects, namely a WEBSERIES on street food and decolonization, an online roundtable discussion on decolonizing travel media with dope panelists, a live event in NYC along the same lines, a new column for Chica Magazine, a new zine, and other things I do for very little credit and basically no pay. I’m excited that our next #Dispatch interview – my series with travel writers and personalities of color – will be a roundtable discussion on Traveling While Trans. Three trans or nonbinary writers/activists/travelers of color will share their experiences in crossing borders, boarding planes, TSA fails and why they travel. So stay tuned for that! And if you’re a traveler/writer/activist of color and got shit to say about place with an intersectional and critical lens, get in touch! (e-mail is in about page)

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feminist graffiti in cuenca

Next week I’ll have a post up about my second time at the nation’s only multi-genre workshop for writers of color, VONA. Read about my experience at #VONA14 and the importance of travel writing by and for people of color here. In the meantimes, like our FB page to get mad stuff in your feed daily and to join in on some thoughtful convo, follow me on Twitter cause I’m constantly raging against the machine over there, and follow me on IG cause y’all like pretty photos and that’s what IG is about, I guess. For now, I’ll leave you with some sweet travel moments over the past few weeks.

Racial Segregation and Assimilation in Travel Blogging: #Dispatch: Navdeep Dhillon

I’VE BEEN CHATTING with travel writers, activists and personalities of color about their experiences navigating the media industry and the globe with an intersectional lens, while exploring themes like power, privilege, place, and identity, themes that are rarely touched on in the mainstream travel space. Read previous #Dispatches here.

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Navdeep was born in England, raised in East and West Africa, the Middle East, and the United States, but he is a Punjabi boy at heart. He served in the U.S. Navy for eight years, taught ESL in China for two, and traveled extensively throughout South East Asia, including a six month honeymoon in India. He runs the travel blog, ishqinabackpack.com with his wife, Sona Charaipotra, author of Tiny Pretty Things and one of the founders of CAKE Literary, a book packaging company focused on integrating diversity into high concept stories. He is a VONA/Voices alumni, holds an MFA in fiction, and writes about books, parenting, and diversity on his own blog, NavdeepSinghDhillon.com

Bani Amor: Aight, so tell folks who you are, what you do and why

Navdeep Dhillon: I run the travel blog, Ishq In A Backpack with my wife, Sona Charaipotra, a novelist and entertainment reporter. We began the site in 2007 just to document our honeymoon to Mexico and India in the days before Facebook, so we could let our families know we hadn’t been kidnapped. Then we had kids and kept the site going because it was fun. It quickly became more of a platform to discuss overt and subtle racism to counter the over-representative white narratives from travel books to blogs to experiences, as though white people are the only ones who travel. We would often be asked pretty ridiculous questions about identity and diversity as though People of Color are new to this whole travel thing. So, it’s our little space of the internet.

Bani: You were asked questions about identity and diversity by other travelers or from people who read your site or..?

Navdeep: Mostly from people who were reading our site, who would ask questions about how Indian travelers feel about Europe, like we’re representatives from Mars. And our Indian identity is very complicated since neither of us have ever lived there. Or questions about religion as though we speak for more than just ourselves, and from travel media organizers about how to create better token diversity. It also comes from other travelers and our experiences traveling abroad, where many things are discussed through a very white lens, such as being treated like a celebrity in China or how easy it is to get a teaching job there. I taught English there and loved it there, but nobody went out of their way to take photos of me or touch my hair or skin.

Bani: How do you respond to travel media organizers who try to enlist you to create token diversity?

Navdeep: It’s complicated and really depends on the event. Most of the time, if it feels like complete tokenism like one panel on diversity in a sea of white, we’ll say no thank you politely. But there are some situations where we have attended because we saw a greater good coming out of it, a conversation to potentially be part of a small change. The travel blogging industry is a particularly toxic form of whiteness because there is very little room for any real change in its current climate. Best 100, or whatever arbitrary number of travel blogger lists are consistently and thoroughly white, book lists are white, and there isn’t a collective of POC who can really incite change because the few POC who get any privilege in the system start supporting that system by saying things like, “well, there just aren’t enough POC blogging,” or “the quality of the content isn’t up to par with the “mainstream,” or, “it’s all about the numbers and we just don’t have them.”

IshqInABackpack.com: Sona and Navdeep Spiritual Journey to Vaisno Devi

Many conferences are completely white, from its panelists to its organizers to its teacups,and nobody sees anything wrong with it enough to say something publicly. Sona is involved with the We Need Diverse Books campaign that began with a twitter conversation between two writers over the pure whiteness of Book Con last May, and now it is fully funded and making power moves. Hopefully something like that could happen in travel.

The New York Travel Festival had a great initiative they just started this year with a part of it devoted to diversity with some wonderful panels and panelists. I am of two thoughts about that. On one hand, I think it’s great because these conferences need a diversity 101 course, even if the room is filled with other POC. I facilitated a workshop there and it was interesting to see how everyone didn’t even want to use the word, “white,” and a lot of the vocabulary to talk about these concepts of white supremacy are stripped away and it’s important to talk about them. But how much change this actually helps bring about is debatable. If the only thing these conferences have is a diversity section and nobody is invited to the table for discussions on craft, where you can organically talk about race and travel, it is a form of ghettoization.

The dilemma always comes down to a very difficult choice: either attend as tokens and engage in some discussion of diversity or there will be no discussion of diversity. It’s a tough call and one that can be very frustrating when neither option is what you want.

I feel like we have more impact writing unfettered on our blogs than we do at these panels because there are a lot of restrictions placed in the conversations that we obviously don’t have to adhere to on our blogs. But then the question becomes about the objective and there is a great divide on that. If you remember the Outbounding panel we were both on, one of the things I was a little taken aback by was that the loudest voices in support of the system came from other people of color.

Bani: That excuse for exclusion – that the quality of travel content by POC isn’t up to par with the mainstream – is particularly funny because the quality of the content in the mainstream is crap! I’m sorry but the standard is low, to me

Navdeep: There’s a lot that I like, but there’s so much wading through mediocre-to-complete-rubbish blogs that are littered with top ten things to do here, top five places to see, etc, that have no soul. I’m all for mediocrity with POC. We can be just as rubbish as the “mainstream.”

Bani: It seems to me that when some POC enjoy some success in whatever field they’re in, they think, well it must not be that bad, look at me!

Navdeep: We love individual stories of those few people of color who made it. Not of communities. And the burden of these individuals is that they are never safe. If they start calling out the racism, they could lose their position. In many cases it’s more that to keep what little privilege they have, it involves walking the line and strengthening the myth that hard work and perseverance are the key ingredients.

Bani: It seems like just another form of assimilation

Navdeep: It’s exactly assimilation

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Bani: It’s also sad that POC travel brands have to market themselves as apolitical to be successful

Navdeep: I agree. They have a great platform, but when the immediate aim is money and not primarily cultural shifts, race is going to be low to non-existent on their talking points. Most of the POC travel brands I have heard of seem focused on bridging the gap between corporate white america and black travelers, not from an ideological standpoint, but from a monetary standpoint: there is money to be made. It’s a difficult thing combining the two.

The book industry is just now getting comfortable enough to have these conversations without dancing around the real issues. Authors, particularly Young Adult, Middle Grade, and kid lit authors feel empowered to say things at panels or on twitter because they know there are other people who feel similarly, but more importantly there is an organization that supports them. Travel doesn’t have that and we’re still at panels dancing around the issues because we’ve tied ourselves too closely to brands.

Bani: Yeah, travel writing is like the suburbs of literature lol

Navdeep: Haha

Bani: My last question: is there hope? Where?

Navdeep: Haha, Yes, I think there is definitely hope. It’s important to recognize the problems, but it’s more important to work towards creating change. The internet has changed a lot of things and given POC the ability to have their voices heard. We use our site to write about things like the White House Travel Blogger Summit last year on diversity, where they invited mostly white people, including one couple from Australia. Or diverse book lists. And there are many travel bloggers who are changing the landscape like Oneika The Traveler, who isn’t afraid to integrate race into her travels because it’s a part of traveling, of life. Keeping the conversation happening, and addressing the issues is a step, and when organizers especially put in the initiative to start a conversation, it’s something that should be encouraged because a lot of people genuinely want to know what they can do to actively change things.

There are plenty of travel memoirs by people of color out there and lots of bloggers of color from around the world. Real change in the travel writing industry will come from the people.

I, Too, Am B-CC

hey people, i’ve been in reverse culture shock for the past two weeks that i’ve been back in nyc from ecuador and time just flies here. i’ve been eating everything i could get my hands on and partying and meeting up with some awesome folx and eating some more. I also recently got the chance to interview film maker Orlando Pinder for Abernathy Magazine (follow them on Twitter and FB!) He’s the filmaker behind the doc, I, Too, Am B-CC which, like the I, Too, Am Harvard campaign, is a film that features interviews with Black students in predominantly white schools. Click on the image below to read our discussion in full and watch the doc.

click on image to read article in full
click on image to read article in full

Traveling While White, Traveling While Brown #Dispatch: Nandini Seshadri

I’VE BEEN CHATTING with travel writers, activists and personalities of color about their experiences navigating the media industry and the globe with an intersectional lens, while exploring themes like power, privilege, place, and identity, themes that are rarely touched on in the mainstream travel space. Read previous #Dispatches here.

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Nandini Seshadri is a freelance writer, short-story author and social media addict. She keeps a blog over at nandinisniche.tumblr.com which she updates mostly when she’s supposed to be working on her novel. Her work is set to appear on Narrative.ly and Mommyish.com soon.

Bani Amor:  Tell us about yourself. How would you describe your work?

Nandini Seshadri:  I’m a fiction writer, mainly. I write short stories and try very hard to write novels. I’m also a longtime blogger, started blogging way back before blogger even existed (2003). But blogging has somewhat fallen by the wayside since I had kids. These days my primary identity seems to be mom.

My work is and has always been very feminist. I am Indian, and it has always been very clear to me how much my society stacks the deck against me. Didn’t hurt to have an openly feminist mother.

Bani:  Feminist moms are the shit (hey ma!)

Nandini:  And also, since I have moved around a lot since childhood, never living in one city (sometimes even country) or one home very long, I also write a great deal about identity, fitting in, and being an outsider.

Bani:  What usually enables and propels you to travel?

Nandini:  Work! (and following spouses or parents for work) I come from a family of immigrants. In the middle-class South Indian community I come from, there is this deeply embedded idea that someone who gets out of India has “made it”. It definitely used to be much stronger when my family first emigrated. I also ended up traveling during college for debating tournaments. I am now in a financial position to travel for pleasure too, and do it happily and eagerly.

One of the first members of my family to go to USA was my cousin (who is actually my father’s age because of the age gap between siblings) in the ’80s. Everyone sang his praises and he has always been considered the pioneering success. But because our family is also middle class and upper caste, there are also all these whispered stories about how he was ‘reduced’ to working as a dishwasher to put himself through college in America, the horror, the horror. Then his parents wanted to go see him in America too, and they went for six months, which was considered a huge deal… but again, whispered stories about how his mother wanted to stay longer, and in order to support herself she had to work as a nanny. That was also considered beneath us.

Photos courtesy of Nandini Seshadri
Photos courtesy of Nandini Seshadri

So I come from a certain subsection of Indians for whom this “going to foreign” deal is a complicated business in terms of power structures. Do we take the prestige and much-needed money from leaving but accept the dishonor of working menial jobs? Or do we stay and keep working “respectable”  but low-paying jobs in poor, unglamorous India?

Bani:  The immigrant’s dilemma.

Nandini:  I also think it’s interesting how we carry our hangups with us when we travel. I have relatives who will rant at great length at their racist experiences. “All the white guys in my office get birthday cards and cakes, but I don’t”, etc., but then again, have no trouble turning right back around and being shockingly racist towards darker skinned people.

And along comes a white liberal American saying how white people are the source of all racism, and I can’t help feeling that’s turning the rest of us into noble savages or people without humanity.

Bani:  It shows a complete lack of global historical context.

Nandini:  To be sure, white supremacy is the source of a lot of racism, but things like casteism or colorism – which are arguably shades of racism – aren’t fiction!

Bani:  I remember moving to Ecuador the first time, five years ago, and it was kind of on the heels of a falling out I had with several radical POC groups I was involved with in the States. It wasn’t until I started living in the South that I realized how white-centric our politics had been. How much of our energy they took.

Colorism, racism, white supremacy – specifically, anti-black racism and anti-indigenous sentiments – run MAD strong here. My concept of what it meant to fight racism completely changed. And I mean, over time. Of course, it’s still changing. Having grown up in the States, I will always be used to a single narrative on what that means. It’s regional.

Nandini:  Regional is exactly it. I’ve always had this idea that people of the same perceived racial group can have very different (and equally valid) reactions to a Supposedly Racist Thing. And you’re right, it all comes down to regional pressure points.

Like, to a person living in India, Gwen Stefani putting on a bindi to make a fashion statement is just complementary and mildly flattering (if they have heard of her). To an Indian-American it is cultural appropriation, right? With real harm done to the Indian-American community. I’d always tried to articulate it as  living in a country where you are the majority and you have the privilege of being secure and unshakably the ruling culture.

Bani:  Also, when you’re an immigrant, you’re reeling from one form or another of displacement. You tend to hold on tighter to your culture, or assimilate. It’s not that black and white, but in my experience, it does seem very extreme. You’re either really offended or don’t understand at all what the fuss is about.

Side story: a friend of mine here is Afro-Ecuadorian. She has a fro. She lives in a artist-traveler-hub kinda house, and foreigners are ALWAYS touching her hair. The way she reacts – positively – has always stopped me from acting on her “behalf” – telling them not to do that. And I honestly have fought the urge to many times. But I thought, who the fuck am I to tell her what to be offended by?

One day, I was watching a video in English, something made by black American women along the lines of “why you can’t touch my hair.” I explained to her what I was watching and she was so pissed! She wondered why anyone would give a shit one way or another.

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Nandini:  But I struggle with all this. I don’t live in India anymore even though I keep going back for visits because my family lives there. It’s easy to point fingers from the outside, right? And not at all productive. And then, my location means that my expressions of frustration fall on white ears more often than not and that is deeply uncomfortable for me too.

Bani:  Oh yeah. When (foreign) white women complain about sexist men in Ecuador, I feel caught.

Nandini:  How do you deal with that?

Bani:  Honestly, I’ve always sided with the men. I say, who are you to be coming here and judging All Ecuadorian Men based on the one or two you’ve slept with? As if white men in their home countries aren’t sexist! Which, really, is not “siding with men”, but unfortunately, it does put me in this #NotAllMen position, you understand, because they’re talking about my family and friends. But you can’t come here for your thesis or your bs volunteer job for a year and claim yourself as an expert on our men.

Nandini:  Oof, that makes me feel a bit like shit. I had such terrible experiences with street harassment and street sexual violence in India that when a white woman complains about it, I feel solidarity more than anything.   I can’t help it. Of course, it often goes off into the “gosh, Indian men!” direction and then I get all outraged and say angry things about racism. I feel caught too.

Bani: Well, notice I didn’t mention street harassment. These were about consensual relationships, not victimization that white women were feeling. I kind of feel like that’s another animal.

Another side story: when I was a teenager, visiting my white, gentrifying friend’s place in Brooklyn, she got hollered at and said something racist to me. I don’t remember what it was, but when I spoke up, she said “I can’t help it if they’re all the same demographic!” I stayed silent.

Nandini: OUCH. that hurts. What does one even do!!

Bani:  As with the white women in Ecuador, I see the uninvited, displacing presence of someone in a place inhabited by a majority of poc. Then there’s the misogyny. Women of color, who are native to certain places, we are caught under all these oppressions – we have to side with someone. But who will side with us?

That #YesAllWomen discussion completely, conveniently left out any discourse on what it means to move around the world as white.

Nandini:  That sounds interesting! Please say more on the “what it means to move around the world as white” and how #YesAllWomen left it out.

Bani:  The implications and repercussions of moving around the world as white. The entitlement, the lack of reflection. Because of white supremacy, whiteness is put up on a pedestal of beauty, and women of color around the world have to deal with this. Here, in Ecuador, there is a rainbow of skin colors, right? But mostly, we are dark-brown. But on TV, in the ads, the media, it’s all whiteness, all the time.

White women are rewarded for this, but when they travel – to neighborhoods of color, to majority non-white countries – there are repercussions.

Nandini:  I was trying to explain this to someone who lives in Vietnam and is tired of dealing with street harassment there – to the extent that she called it racism against white women. This friend of mine is pretty feminist, and I sympathized with her completely about the street harassment but had to really break it down that THIS is sexism and THAT is racism and street harassment ain’t THAT.

Bani: That is some basic shit.

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Finally, I wanted to revisit the convo that linked us up in the first place. We came into contact after I posted Teaching English in China while Black, and felt some sorta way about it. Mostly because linguistic imperialism really saddens me when a person of color engages in it and that person has US privilege and doesn’t take that into account, at all. You responded by rightly pointing out the Orientalism in the article.

Nandini:  Yes, I was wishing she would just come right out and say this is racist and NOT excusable. All through the article, though, she didn’t say that. Which I sympathize with, she was in a tough situation and I think she was trying to acknowledge her first world privilege in this way, by downplaying the fact that these third-worlders had some kind of power over her. It was as if she couldn’t bring herself to believe this is possible, because she was so ensconsed in her view of “I am superior to these people, and I am here to teach them things.”

I wish that when western feminists speak of intersectionality, they would speak more of first world privilege, orientalism, and the global South. I wish we would discuss the ways in which it especially benefits USA to be the cultural center of the world.

As for travelers of color from first world countries, I really do have a lot of sympathy for the impossible bind that many of them find themselves in, and most never suspect they will ever experience these things. There are so many blogs – google “black guy in Japan” – about the utter shock and horror at the racism they experience outside of USA. I feel for them.

But they’re also usually in the business of modern day colonialism. Which they don’t see anything wrong with, and maybe in capitalistic terms they’re right, but it’s hard to sympathize when those who are willingly cogs in the machine of wiping indigenous cultures and languages out. At the end of the day they are still US Americans, and they carry cultural hegemony with them. When they travel somewhere to teach rather than learn, the thing they are teaching is US supremacy.

Bani:  Starting a dialogue on that is tough, because there are many travelers of color, but not A TON, and when we feel empowered to talk on that – I mean a lot of folks my age, on social media – it’s with this double sense of entitlement. I should be able to go where I want, etc. So how do we approach places with the fullness of our identities?

When we travel somewhere, we take all that shit with us. We don’t leave anything behind. Our identities travel with us. I wonder how travel can change our identities, especially what and how we think about them.

Nandini:  That identity bit, right here in the feels. To travel is to lose your fixed identity.

I think as travelers we have a responsibility to read native voices, make ourselves familiar with context and history and culture before any significant travel. As first world travelers we need to be careful not to participate in neo-colonialism.

If first world people traveled for the reasons and with the attitude that third world people do – not for the romance of living an “authentic” noble-savage life, or for the sake of writing a book about how quaint “those people are”, or to teach them how to speak and think and live like first worlders. If, instead, first world travelers went consciously for (responsible) personal pleasure, or to learn something, or to earn a living. We would travel with arms stretched out for alms, conscious that we are in this to take more than we can hope to give, conscious that this means we humble ourselves. I think that would be the first step away from a neo-colonialist mindset. Away from entitlement and towards honoring the people of the places we travel to.

Junot Diaz Day, Completely Lost

View from an old room in Quito

i’m very busy and bad at juggling several projects at once, so that’s why things have been silent around here. been discussing boston bombing conspiracies with backpackers in assorted hotels and hostels, changing rooms every two days or so. i’m ghostwriting a book on the slowest virus-infected laptop on earth, in a place where WIFI is indeed a four letter word. but i’m just whining. to make up for the lack of things to say, i’ve stolen some things junot diaz has said, which are 1,000,000 x better than anything i could write right now.

“In a ‘post-race’ country like America where nothing and no one is racist, where people are more likely to believe in UFO’s than in institutional bias, which does back flips to obfuscate the operations of white hegemonic power and therefore ensure its continuance, anyone seeking to expose white supremacy or battle it is in for some serious uphill. You will be attacked. You will be censured, usually by your own community. People will say that you are obsessed with race and that even mentioning white people in the context of white supremacy is itself racist. These days the average person doesn’t even have to be taught not to bring up white supremacy. Here in our country, as in Mordor, everybody knows not to say the dark lord’s name.”

“If you’re not lost, you’re at a place that somebody has already found. If you’re comfortable or familiar, you’re in mapped territory. If you feel like you know where you’re at, somebody’s already done it. So if you want to create something new, you need to get completely lost.”

“A writer is a writer not because she writes well and easily, because she has amazing talent, because everything she does is golden. In my view, a writer is a writer because even when there is no hope, even when nothing you do shows any sign of promise, you keep writing anyway.”