Hey people. So last week, a new travel platform for women and nonbinary people of color launched called On She Goes, and I’ll have a recurring column up there on travel books authored by women of color. A lil background on the series:
People who look like us are often relegated to the backdrops of travel narratives as smiling spiritual guides on the white woman’s journey, or as nameless bodies warming the beds of the heroic, white, male adventurer, which makes taking up space in travel writing a radical act for women and gender-nonconforming folks of color. This series will speak to writers of color about their novels and memoirs of navigating lands, languages, and themselves—and most of all—about taking up space everywhere we go.
My first talk is with Nia Hampton, author of Cicatrizes, a book about a young Black woman leaving Baltimore for Brazil at the height of the Baltimore Uprising. About the book, Nia says:
I would describe Cicatrizes as an offering. It’s a book of poetry, prose, essays, pictures, and even a spell. It’s something whimsical at times and unbearably heavy at other times. It’s an experience, really, of what moving to Salvador from Baltimore was like for me as a young Black girl.
Read our talk in full here. Full disclosure: I edited this book! Working on a blog post, essay, narrative, or manuscript and looking for feedback or an editor? Check my Services page and get in touch.
A few months ago an essay of mine, Beyond Binary, was published in Archer Magazine’s THEY/THEIRS issue dedicated to non-binary gender identities. It’s the first time my travel photography has been published in a print magazine, and an internationally-circulated Australian one, at that!
It is when I’m moving in between places that I feel the most pressure to be pinned down. As a travel writer and diasporic person of color I spend a lot of time in transit, and it’s this condition that reveals to me time and time again that places, like identities, are always in flux, and that borders aren’t as binary as they’re made out to be. Borders, like the gender binary, cut right through me, through so many of us. They attempt to neatly and quietly delineate difference no matter how much it continues to overlap, intersect and blur. It is between the constructed binaries of place, language and gender that I feel the most at home and most under attack, for it is these in-between spaces that are the most heavily policed.
Get your copy of the magazine here or see where it’s stocked around you here.
Hey kids, I’ve been in my writing den for a minute but will emerge with more interviews, articles and projects soon. For now, if you’re in the NYC area, you can come see me speak on the We Need Diverse Books panel on working as writers of color in digital media at Comic Con next Thursday, October 6th! Deets here and Facebook event here.
If you come through make sure to say hi! I’ll also be at the opening party for the anthology Outside the XY: Queer Black and Brown Masculinity, in which I have an essay on #travelingwhiletrans, on October 10th. I’ll post about that next week. In the meantimes, just wanna shout out to all the new people reading this blog after this salty white dude wrote a whole essay calling me anti-fun, anti-sun, and, gasp, anti-colonialism, all while misgendering me the entire time. I’m officially a tourism killjoy. #StayMad
hey people, thanks for being patient during this lapse in posts. I left nueva york and am back in ecuador but instead of living in Quito like before I’m just traveling around for the next two months. I spent a week at Alas de Luna – encuentro de arte femenino in Cuenca which was organized by one of my best ecua feminist panas. The city has been freezing and gorgeous and I’ve gotten to chill with mad ecua women artists doing rad things in dance, theater, music, film, writing and activism. A highlight was splitting a tab of acid with one of my favs – rapper Black Mama – after her set that closed the encuentro. Then I took a bus back to the selva amazónica with a friend and spent the week chillin’, writing, taking little trips, being queer in nature, dreaming up big plans for the revolución with my friends, and swimming in the river.
I didnt mean to photograph her, but she walked into my photo of the door
So I’ve been planning and mobilizing over the last few months and I’m excited to announce some cool projects, namely a WEBSERIES on street food and decolonization, an online roundtable discussion on decolonizing travel media with dope panelists, a live event in NYC along the same lines, a new column for Chica Magazine, a new zine, and other things I do for very little credit and basically no pay. I’m excited that our next #Dispatch interview – my series with travel writers and personalities of color – will be a roundtable discussion on Traveling While Trans. Three trans or nonbinary writers/activists/travelers of color will share their experiences in crossing borders, boarding planes, TSA fails and why they travel. So stay tuned for that! And if you’re a traveler/writer/activist of color and got shit to say about place with an intersectional and critical lens, get in touch! (e-mail is in about page)
Next week I’ll have a post up about my second time at the nation’s only multi-genre workshop for writers of color, VONA. Read about my experience at #VONA14 and the importance of travel writing by and for people of color here. In the meantimes, like our FB page to get mad stuff in your feed daily and to join in on some thoughtful convo, follow me on Twitter cause I’m constantly raging against the machine over there, and follow me on IG cause y’all like pretty photos and that’s what IG is about, I guess. For now, I’ll leave you with some sweet travel moments over the past few weeks.
A historical tour of Cuenca, Ecuador from the Cañari resistance to Incan subjugation to Spanish colonization and historical markers in the city today.