(Image of Nélida Ayay Chilón via Vimeo)
“Drop by drop, the world is ending.” While Indigenous water protectors were being attacked in Standing Rock Sioux territory from Spring into Winter, fighting to keep the Dakota Access Pipeline from being built through their lands, the folks at Apogee Journal were curating a folio of literary and visual artwork in solidarity and resistance. The result is a staggering compilation of over 20 voices (including mine) entitled #NoDAPL #StillHere: Native and Anti-Colonial Craft Against Dispossession. It is a must-read, a must-see and a must-share! And it is more timely than ever. An excerpt from my contribution, Article 71, on page 1:
I was hunched over a cup of instant coffee, half-awake after pulling a night shift at the hotel, when I saw half the street in front of the breakfast spot fill with protesters marching, mostly elder campesinxs, Pachakutik flags in hand. Most foreigners confuse them with gay pride flags, since they both weave together the colors of the rainbow, but they’re the flag of the left-wing political party that many Indigenous Ecuadorians see as sellouts, though they can still be seen waving triumphantly across the country. Perhaps this is an ode to the time Pachakutik rallied to change the constitution in 1998, making Ecuador the first country in the world to recognize the Rights of Nature, or Pachamama, amongst other progressive wins. Being queer and mestizx, the Pachakutik flag hangs in my room as a testament to my both-and-neitherness.
Article 71 focuses on Indigenous water struggles in Ecuador and throughout the Andes, my personal experiences with water and some film critique on the issue. Apogee gave me the freedom to transgress genre a bit and I’m honored to have the piece included among so much vital and powerful work, mostly by Indigenous artists. Know that the struggle at Standing Rock is not over. Know that water is life, and must be protected at all costs.