A few months ago an essay of mine, Beyond Binary, was published in Archer Magazine’s THEY/THEIRS issue dedicated to non-binary gender identities. It’s the first time my travel photography has been published in a print magazine, and an internationally-circulated Australian one, at that!
It is when I’m moving in between places that I feel the most pressure to be pinned down. As a travel writer and diasporic person of color I spend a lot of time in transit, and it’s this condition that reveals to me time and time again that places, like identities, are always in flux, and that borders aren’t as binary as they’re made out to be. Borders, like the gender binary, cut right through me, through so many of us. They attempt to neatly and quietly delineate difference no matter how much it continues to overlap, intersect and blur. It is between the constructed binaries of place, language and gender that I feel the most at home and most under attack, for it is these in-between spaces that are the most heavily policed.
Get your copy of the magazine here or see where it’s stocked around you here.
“Drop by drop, the world is ending.” While Indigenous water protectors were being attacked in Standing Rock Sioux territory from Spring into Winter, fighting to keep the Dakota Access Pipeline from being built through their lands, the folks at Apogee Journal were curating a folio of literary and visual artwork in solidarity and resistance. The result is a staggering compilation of over 20 voices (including mine) entitled #NoDAPL #StillHere: Native and Anti-Colonial Craft Against Dispossession. It is a must-read, a must-see and a must-share! And it is more timely than ever. An excerpt from my contribution, Article 71, on page 1:
I was hunched over a cup of instant coffee, half-awake after pulling a night shift at the hotel, when I saw half the street in front of the breakfast spot fill with protesters marching, mostly elder campesinxs, Pachakutik flags in hand. Most foreigners confuse them with gay pride flags, since they both weave together the colors of the rainbow, but they’re the flag of the left-wing political party that many Indigenous Ecuadorians see as sellouts, though they can still be seen waving triumphantly across the country. Perhaps this is an ode to the time Pachakutik rallied to change the constitution in 1998, making Ecuador the first country in the world to recognize the Rights of Nature, or Pachamama, amongst other progressive wins. Being queer and mestizx, the Pachakutik flag hangs in my room as a testament to my both-and-neitherness.
Article 71 focuses on Indigenous water struggles in Ecuador and throughout the Andes, my personal experiences with water and some film critique on the issue. Apogee gave me the freedom to transgress genre a bit and I’m honored to have the piece included among so much vital and powerful work, mostly by Indigenous artists. Know that the struggle at Standing Rock is not over. Know that water is life, and must be protected at all costs.
Hey people. So while I was in Ecuador this summer writing about the earthquake in Ecuador this spring, an earthquake hit. I was fine, but it exacerbated the urgency I felt in writing about disasters brought about by climate change and how they affect the most marginalized among us who don’t usually benefit from aid, but instead are all the more oppressed by the disaster capitalism that props up in the aftermath. I talked about all of this and more on Bitch Magazine’s Popaganda podcast. Listen below.
Subscribers to Bitch can look out for my essay Unnatural Disasters in the Chaos issue while the rest of y’all can just chill ’til it goes live online or hits newsstands over the next few weeks.
Our first virtual book club meeting was ten kinds of awesome. We discussed Shailja Patel’s Migritude which led us to talk about migrating as queer/women of color, our family/ancestor’s migrations, leisure travel and solidarity, and more. If you’re interested and haven’t signed up, you can do so here. (FYI, this is a POC-exclusive space).
In other news, my next #Dispatch interview with community organizer and non-stop traveler India Harris (@VagabondDred on Twitter) will be a breakdown of the ABCs of Not Cool language commonly used in travel writing, and there’s so much colonialist fuckery that goes down in that space that it will be a two-parter! Words like exotic, authentic, g*psy, paradise, etc. will be discussed, and if you wanna add your own, do it in the comments.
Finally, I’m putting together a Press page to showcase lil’ mentions of Everywhere All The Time in the media. Stay tuned.
Hola, folks. So I had a lot of thoughts today about speaking OVER communities we’re not apart of in the process of trying to write in solidarity with them. I’ve been thinking about this a lot in general and have tons to learn. After I tweeted these thoughts, a lot of different folks jumped in to offer their two cents and a fruitful convo developed, so I’d consider checking out my TL (‘timeline’ for you non-tweeters!) for more, if you’re down. Share your thoughts in the comments!
So I've been thinking a lot abt the line bw writing what we think are solidarity/ally pieces and appropriating struggles we're privileged by
What up folks! Check out my interview with @Fly Brother Ernest White II on race, travel and travel media, What mainstream travel media are still getting wrong, which was republished by Matador Network yesterday. Please share and get some comments up there! The interview was a part of our Dispatch series, a bunch of conversations I’m having with writers of color on topics of race, place and adventure. Check out past Dispatches with artist Miyuki Baker and journalist Aliyya Swabby, and look out for next week’s Dispatch with Ms Moving Black on Monday. If you’re interested in getting involved in the project, let me know here. I’ll also be in New York City next week. If anyone’s into doing an interview in person, hit me up!