Tag Archives: Decolonization

Resisting Coloniality in Travel Writing with Faith Adiele

Travel writing [is] a particularly colonized genre desperately in need of a full-frontal attack. Not only do we have to fight against the master travel narrative—an extension of the colonial project—and redefine the definition of travel, but we spend a lot of time educating POC about what travel literature is. Folks weren’t valuing their journeys as the stuff of literature, and they were letting the white gaze determine and define the world. As I always say, POC are the most traveled people on the planet; every time we leave our houses, we travel.

  • Faith Adiele
    19401285_10155461708408594_459085372_o (1) (1)
    Photo by Jackie Graves

    Hey people! I’m excited to finally share my talk with the one and only Faith Adiele. She’s the award-winning author of Meeting Faith: The Forest Journals of a Black Buddhist Nun and The Nigerian-Nordic Girl’s Guide to Lady Problems, and teaches what I’m 99.9% sure is the only travel writing workshop exclusive to people of color at the VONA/Voices workshop, which I’ve written about here, here, and here. A bite:

Travel memoirs in the hands of women and nonbinary writers of color in particular can be a revolutionary thing. While traditional story structures often fail to accommodate the ample stories of hyphenated people with “complicated” identities, it also provides an opportunity to complicate the project of memoir in new and exciting ways. It’s what Faith Adiele calls a “superpower.”

Click pic to read the interview in full

For my series of interviews with WOC authors of travel-ish books for On She Goes, Faith and I talked about writing against the trope of Westerners seeking spiritual enlightenment in the East, finding relief abroad from the racialized binary of the US, and why teaching travel writing to people of color is such vital work. When I asked her about writing her first book, Meeting Faith, (which we read in the POC Travel Book Club!) she said:

I see POC and others trying to cram themselves into the old structures that don’t represent the way we view time, the multiple codes we speak, the shapes of our families and lives. I knew that one of the reasons I had ended up shattered in northern Thailand is the pressure I experienced at college to choose between being female (a white project) or black (a male project), which felt like a choice between my arm or my eye, so I certainly wasn’t going to let narrative rules do the same kind of damage.

Every Spring, I press folks I know, readers who reach out to me, and strangers on the street, that if they are of color and interested in writing travel, to apply to work with Faith at the VONA/Voices writing workshop. It will change your life! Read our talk in full here.

[Header image by Sailor Holladay.]

Unsettling Tourism: On the Colonial and Patriarchal Gaze of Travel Media

Hey people, I’m still settling into my new base in Montréal – the land of pâté, poutine, and other things I’ll never understand. Popping in between the cat emergencies and Facebook pleas for free furniture to share my latest essay for Bitch Magazine for their series on Fragility.

Screenshot 2017-07-25 at 15.53.31
Illustration by Subin Yang

The use of women’s bodies—and specifically, the promise of sex—to sell any and everything under the sun has long been the subject of beef between feminists and the advertising world, but what happens when the product being sold is a place? The marketing of women’s bodies, namely, those of color, as destinations to be consumed, lands to be penetrated, or as accessories to the (masculine) tourist experience has remained a largely uncontested norm in travel ads, from vintage depictions of the Hawaiian feminine to the mainstream pimping of Brazilian women’s bodies from brands like Adidas and Kia Motors during the 2014 World Cup.

In this long-ass (I believe the proper term is ‘longform’) piece, I attempt to answer the questions:

  • What does tourism’s dehumanization of women of color tell us about the fragility of the western traveler?
  • What role does patriarchy play in selling place? And,
  • What does—or doesn’t—constitute a feminist travel narrative?

There are a ton of sources mentioned within the essay for folks to follow-up on, from academic shout-outs to literary ones. (I go into a lil’ more depth on these sources in this Twitter thread.)  But this line from Trinh T. Minh-ha’s Woman, Native, Other gets to the root of it all:

It is as if everywhere we go, we become someone’s private zoo.

Read the essay in full here.

Going Beyond the Binary

Hey folks,

A few months ago an essay of mine, Beyond Binary, was published in Archer Magazine’s THEY/THEIRS issue dedicated to non-binary gender identities. It’s the first time my travel photography has been published in a print magazine, and an internationally-circulated Australian one, at that!

IMG_1016
Archer Magazine Issue #7

It is when I’m moving in between places that I feel the most pressure to be pinned down. As a travel writer and diasporic person of color I spend a lot of time in transit, and it’s this condition that reveals to me time and time again that places, like identities, are always in flux, and that borders aren’t as binary as they’re made out to be. Borders, like the gender binary, cut right through me, through so many of us. They attempt to neatly and quietly delineate difference no matter how much it continues to overlap, intersect and blur. It is between the constructed binaries of place, language and gender that I feel the most at home and most under attack, for it is these in-between spaces that are the most heavily policed.

Screenshot 2016-12-10 at 15.28.21

Get your copy of the magazine here or see where it’s stocked around you here.

Getting Real About Decolonizing Travel Culture

Hey denizens of everywhere,

I wrote an essay on decolonizing travel culture as the introduction to Muchacha Fanzine’s Decolonize Travel issue and just published it on Medium. Give it a read, print it out and fold it into your passport books, critique and analyze it, share or shade it, or comment below. A slice:

How we move through the world, whether it’s how we or our ancestors came to be where we are now; a trip to the bodega as a visibly trans woman of color at night, or to countries we have no connections to but are guests in, varies phenomenally from person to person, but those journeys are all informed in some way by capitalist imperialist cishetpatriarchal white supremacy.

In “getting real” about this topic, I wanted to reiterate some points that I see getting lost in posts and such about “decolonizing travel” that are necessary to the discourse. I don’t want this to be some sort of trend or shorthand for “diversity.” Central to this is…

If communities don’t have sovereignty or the self-determination to shape how they want their cultures to be consumed or communicated, their economies to be governed and their environments to be treated, then tourism and travel culture are only a continuation of imperialist practices.

Read the essay in full here.

Article 71: From Ecuador to Standing Rock, Water is Life

(Image of Nélida Ayay Chilón via Vimeo)

“Drop by drop, the world is ending.” While Indigenous water protectors were being attacked in Standing Rock Sioux territory from Spring into Winter, fighting to keep the Dakota Access Pipeline from being built through their lands, the folks at Apogee Journal were curating a folio of literary and visual artwork in solidarity and resistance. The result is a staggering compilation of over 20 voices (including mine) entitled #NoDAPL #StillHere: Native and Anti-Colonial Craft Against Dispossession. It is a must-read, a must-see and a must-share! And it is more timely than ever. An excerpt from my contribution, Article 71, on page 1:

I was hunched over a cup of instant coffee, half-awake after pulling a night shift at the hotel, when I saw half the street in front of the breakfast spot fill with protesters marching, mostly elder campesinxs, Pachakutik flags in hand. Most foreigners confuse them with gay pride flags, since they both weave together the colors of the rainbow, but they’re the flag of the left-wing political party that many Indigenous Ecuadorians see as sellouts, though they can still be seen waving triumphantly across the country. Perhaps this is an ode to the time Pachakutik rallied to change the constitution in 1998, making Ecuador the first country in the world to recognize the Rights of Nature, or Pachamama, amongst other progressive wins. Being queer and mestizx, the Pachakutik flag hangs in my room as a testament to my both-and-neitherness.

Article 71 focuses on Indigenous water struggles in Ecuador and throughout the Andes, my personal experiences with water and some film critique on the issue. Apogee gave me the freedom to transgress genre a bit and I’m honored to have the piece included among so much vital and powerful work, mostly by Indigenous artists. Know that the struggle at Standing Rock is not over. Know that water is life, and must be protected at all costs.

New Year, Who Dis? Updates, Round-Up & POC Travel Book Club!

People, I’m glad we could all put our differences aside for a moment to collectively say FUCK YOU to 2016. If only we had that kind of consensus on actual shit and not a 12-month span of time, but I digress. Before I go into a quick round-up of Shit That Did Not Suck For Me in 2016, I wanna announce January’s POC Travel Book Club pick, Meeting Faith: The Forest Journals of A Black Buddhist Nun by Faith Adiele.  We’ll be discussing it on Sunday, February 5th at 1pm EST over Google Hangout. Sign up here if you haven’t already. Read or die! Now for a few things I accomplished in 2016:

otxy_cover_ig-1
Click to purchase
  • Having work published in Bitch Magazine, Apogee Journal and Archer Magazine
  • Speaking on panels at the Queens Book Festival, Comic Con NYC and reading at the Asian-American Writer’s Workshop
  • Meeting Edwidge Fucking Danticat, Jamaica Fucking Kincaid, and Dr. Sam Waymon, musician, composer, activist and Nina Simone’s brother
  • Being invited as a faculty assistant for VONA’s travel writing workshop for people of color and other travels

Here’s to a less shitty 2017!

The Least Convenient Truth: White Supremacy and Climate Change

If we’re going to protect the sacred and prepare for the worst, we must look at the environmental effects of white supremacy.

Real talk: it’s been a fucked up month in a fucked up year and I, like many of you, am afraid. Since November, I’ve been hibernating, maybe because I feel safe inside, also because the cold weather is racist, and have tripled down on reading and writing. A lot of that writing was published this week, notably my series on climate change and oppression for Bitch Magazine that accompanies my feature on “natural” disasters in their latest Chaos issue. I’ll be releasing one essay per week, starting with everyone’s favorite topics, white supremacy and climate change. Just some light holiday reading.

“Poor places experience forest-cover loss because they are exploited by wealthy places.” Historical context for current crises demands accountability from those wealthy places, and this is key if what we’re fighting for is environmental justice.

I lay out a brief history of the deforestation of Haiti by colonial and imperial powers that took place way before the current (white, Western) environmental narrative decided it was an issue. The takeaway here is that these wealthy countries have been using the climate to punish Haiti for resisting white supremacy ever since they dared to overthrow their slavers.

I get capitalism, but if your goal is long-term domination, wouldn’t you be in favor of environmental sustainability? Turns out: Nah. Because they knew in the end, people of color would be the ones paying the highest price for the environmental consequences of settler colonialism.

I blame the creation of the settler state, which is predicated upon the genocide of Indigenous people and the enslavement of people of African descent, for being a major contributor to our current climate crisis, and the settler colonialist framework many environmental groups rely on that stalls progress. I think it’s detrimental that people of color remain stewards of the land, because we historically know how to take care of it best.

Read the essay in its entirety here.

Thoughts? Cries for help? Totally panicking? Share your feels below.