Popping in for another random-ass update about a month overdue. Over a year ago I started the POC Travel Book Club to get other nerds to talk to me about travel-ish books not written by white people. Now we have around 150 members who are getting ready to discuss An Indigenous People’s History of the United States, edited by Roxanne Dunbar-Ortiz. I wrote about our lil’ club as well as the legacy of whitewashing in travel literature and the significance of reading travel by POC for CNN Travel!
“The tradition of travelers’ tales is deeply rooted in the period of imperial expansion in Europe; it is closely linked to colonialism and ‘scientific’ racism.” Travel writing provided evidence of white superiority through its representation of the exotic as barbaric, or lascivious, or simply ‘other.’ There is a lot of blood on the hands of travel writing. Then and now.”
Though it wasn’t linked to in the piece, this quote is from our talk Travel Is Not A White Boy’s Club (And Never Has Been)from back in ’14. My CNN piece includes a photo gallery of all the books we’ve read together so far, so while the club is for POC only, white folks are welcome (and encouraged) to read along on their own.
Part of decolonizing travel narratives is redefining what gets to be filed under travel writing and expanding it to include varying forms of migration and the unlimited stories of place and identity this experience produces. The kind of stories we read in the POC Travel Book Club.
Head here to join us. If you’re already a part of the club, then I’ll be seeing you December 10th at 2pm EST over Hangouts.
Travel writing [is] a particularly colonized genre desperately in need of a full-frontal attack. Not only do we have to fight against the master travel narrative—an extension of the colonial project—and redefine the definition of travel, but we spend a lot of time educating POC about what travel literature is. Folks weren’t valuing their journeys as the stuff of literature, and they were letting the white gaze determine and define the world. As I always say, POC are the most traveled people on the planet; every time we leave our houses, we travel.
Hey people! I’m excited to finally share my talk with the one and only Faith Adiele. She’s the award-winning author of Meeting Faith: The Forest Journals of a Black Buddhist Nun and The Nigerian-Nordic Girl’s Guide to Lady Problems, and teaches what I’m 99.9% sure is the only travel writing workshop exclusive to people of color at the VONA/Voices workshop, which I’ve written about here, here, and here. A bite:
Travel memoirs in the hands of women and nonbinary writers of color in particular can be a revolutionary thing. While traditional story structures often fail to accommodate the ample stories of hyphenated people with “complicated” identities, it also provides an opportunity to complicate the project of memoir in new and exciting ways. It’s what Faith Adiele calls a “superpower.”
For my series of interviews with WOC authors of travel-ish books for On She Goes, Faith and I talked about writing against the trope of Westerners seeking spiritual enlightenment in the East, finding relief abroad from the racialized binary of the US, and why teaching travel writing to people of color is such vital work. When I asked her about writing her first book, Meeting Faith, (which we read in the POC Travel Book Club!) she said:
I see POC and others trying to cram themselves into the old structures that don’t represent the way we view time, the multiple codes we speak, the shapes of our families and lives. I knew that one of the reasons I had ended up shattered in northern Thailand is the pressure I experienced at college to choose between being female (a white project) or black (a male project), which felt like a choice between my arm or my eye, so I certainly wasn’t going to let narrative rules do the same kind of damage.