Threshold of Revelation: A Queer Disabled Killjoy on National Themes

Hey People,

I made it safely to Ecuador just in time for the locura of the presidential elections. I’ve left Quito and am just outside of Puyo, listening to wild birds call out to each other in tropical song and small white dogs bark at big brown dogs in the dirt roads of the neighborhood. The Talking Heads’s This Must Be The Place plays in the background. I wanted to share my latest work, Threshold of Revelation: A Queer Disabled Killjoy on National Themes, with y’all. It’s about the play-turned-TV-mini-series Angels in America, disability and Trump’s America, or whatever. A slice:

While we collectively watch the dismembering of the Affordable Care Act, a piece of legislation that was insufficient in a healthcare system that’s world-renowned for its lack of humanity, in 2017, the face of disability is white. The face of “the LGBT community” is white. But how can the face of HIV/AIDS possibly remain white, over three decades after its outbreak in the US, despite all evidence to the contrary?

Read it in full over at the Philadelphia PrintWorks platform. If you’re into it, please share. I have so much news and so little time so I’ll have to see y’all again next week. Keep calm and carry – I mean, fuck shit up, please.

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