happy 2016 folx! I’m honored to have a narrative photo essay featured as the lead story in AWAY: Experiments in Travel & Telling’s latest issue dedicated entirely to travel writing by people of color! The issue highlights work by VONA/Voices (the only writing workshop for POC in the U.S.) fellows following two years of the travel writing track piloted by Faith Adiele, who also curated this issue of AWAY and hooked us all up. In her introduction to the issue, she says,
As a biracial traveler and the daughter of immigrants, I often find myself ambivalent about mainstream travel/literature. In my Introduction to the Best Women’s Travel Writing 2009, I cited both Robyn Davidson’s “Against Travel Writing” and Jamaica Kincaid’s introduction to the Best American Travel Writing 2005 in which she shares my ambivalence about how the world of those who can travel impacts the world of those who must travel (i.e., migrate, flee). I asked, How do we negotiate the politics of tourism and travel responsibly? How do we negotiate the politics of who gets to travel, that is, who gets to look and then paint the picture for those who cannot? How do we describe foreign worlds when it could be argued that the imperialist origins of travel taint the very language we use to talk about difference?
Speak, Ms. Faith! My story is about an annoying white woman in Ecuador, her sometimes-partner who collects ancient artifacts that wash up on the shores of Playa África, where he lives, and that time he came out to me as an alien from outer space. True story, folks.
It is only fitting that Bani Amor, the only writer to attend the VONA Travel Writing Workshop both years and a major player in the movement to decolonize travel writing, has the lead piece, “The Brother from Another Planet,” an incisive photo essay that showcases her lush writing, fearless spirit, and complicated insider/outsider role in Ecuador.